The Matrix

Of course for me (or the film) is a new issue is framed only in virtual space, imaginary addition to presenting the subject of a reality show and a protagonist who becomes aware of this fact and choose the option to rebel. Other films such as Matrix, the characters live in the virtual reality generated by a computer, and Dark City, home to a huge drill in a city which is, ultimately, the evil dream of an alien race. Unreal naive stage Truman Show presented in the search for reality, in short all the players looking for a reality that has been artificially made to control them. and that we must find the true reality behind reality and illusory as critics: its discovery a equals or leads to an act of rebellion, contempt of established order, The Matrix has in common with the notion Show that, in a sense, the simulation is "more real" than reality itself. Source: Gina Bonati. Some have found similarities in the situation that describes the film with the familiar thesis about the hyper given by Jean Baudrillard and other theorists of culture since the late 70s. Hyperreality appears in a culture where weakens opposition that separates the real from the imaginary, the simulation of the original. "The real and imaginary exist only at some distanciaa Baudrillard writes. What happens when such a distance, even separating the real from the imaginary, begins to disappear and be absorbed by the model only? "The answer is we enter a world" governed by the principle of simulation, where the real and model have exchanged their positions, and where "reality" that is subject to the model.

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